Jazz Music

Chick Corea, Miroslav Vitous, Roy Haynes - 'Now He Sings, Now He Sobs' - 1968

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Published by Admin in Concerts


In 1968, 'Now He Sings, Now He Sobs' was released and forever changed the face of Jazz. Abstract and highly emotional. Colorful and engaging.
Chick Corea - Piano
Miroslav Vitous - Bass
Roy Haynes - Drums
From 1968 to 1971 Corea had associations with avant garde players, and his solo style revealed a dissonant orientation. His avant garde playing can be heard on his solo works of the period, his solos in live recordings under the leadership of Miles Davis, his recordings with Circle, and his playing on Joe Farrell's Song of the Wind album on CTI Records.
In September 1968 Corea replaced Herbie Hancock in the piano chair in Davis' band and appeared on landmark albums such as Filles de Kilimanjaro, In a Silent Way, and Bitches Brew. In concert, Davis' rhythm section of Corea, Dave Holland, and Jack DeJohnette combined elements of free jazz improvisation and rock music.[citation needed] Corea experimented with using electric instruments, mainly the Fender Rhodes electric piano, in the Davis band.
In live performance he frequently processed the output of his electric piano with a device called a ring modulator. Using this style, he appeared on multiple Davis albums, including Black Beauty: Live at the Fillmore West and Miles Davis at Fillmore: Live at the Fillmore East. His live performances with the Davis band continued into 1970, with a touring band of Steven Grossman, tenor sax, Keith Jarrett, additional electric piano and organ, Jack DeJohnette, drums, Dave Holland, bass, Airto Moreira, percussion, and Davis on trumpet.[2]
Holland and Corea left to form their own group, Circle, active in 1970 and 1971. This free jazz group featured multi-reed player Anthony Braxton and drummer Barry Altschul. This band was documented on Blue Note and ECM. Aside from soloing in an atonal style, Corea sometimes reached in the body of the piano and plucked the strings. In 1971 or 1972 Corea struck out on his own.

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